A senior level marketing professional with 20+ years experience as an award-winning creative and strategic problem solver for networks, studios and advertising agencies in the areas of sports, entertainment marketing and brand advertising. Consistently led diverse teams to produce exceptional creative work under demanding business conditions. Generated viewership on the network side. Increased revenue on the agency side by ten times. Bolstered and staffed many marketing departments drawing on deep industry connections. Special expertise in launching and branding television networks and programming.

Shoubert has directed and produced both domestic and international projects. My passion has been working with nonprofits but been blessed to have a good mix of both public and private sector projects. He has travelled to Africa, Asia, Europe, Central America and all over North America, filming short documentary style films to capture and help my clients share their stories through video. Shoubert feels blessed to do what he loves and honored to have worked with so many great people and organizations who are making a positive change in our world daily

Daniel is an independent animation director and graphic artist from Brazil. His work encompasses projects for film, music videos, series, visual arts, advertising and music. Animation work highlights include the commissioned short films “Pete’s Story”, Best Portfolio Film at Anima Mundi 2016 and Official Selection of the Annecy Festival 2016, and “Me, by J‐Money”, for the Preschool Poets series. The music videos for the songs “Uterine Death And Life”, by Paula Cavalciuk, Official Selection of Anima Mundi 2018 and the New Orleans Film Festival 2018, “Breech Delivery”, by The Biggs and “Jealousy”, by Rafael Castro.

He is the art director for the Brazilian stop motion feature film “Bob Cuspe ‐ We Don’t Like People” (in production), and co‐director in the stop motion feature film “Storm” (in development), both produced by Coala Filmes. He’s also graphic designer and co‐producer of the Brazilian music festival Febre. Contact danielbruson.com daniel@danielbruson.com www.fb.com/danielbruson/

From the pulsing action of World War Z and Logan, to the period drama of AMC’s TURN: Washington Spies, Brandon Roberts’ music can be found all over the film-scoring world today.

Surrounded by the eclectic musical scene of his hometown, Carmel, CA, Brandon developed his musical interests at a young age earning awards from Clint Eastwood and The Monterey Jazz Festival. In 1995 he began studies at the University of Southern California where he composed for many of the jazz ensembles. In addition, he began writing for orchestra and soon entered into the prestigious USC Scoring for Motion Pictures & Television graduate program. Here he studied with industry greats including Elmer Bernstein and David Raksin.

Upon graduating from the University of Southern California, Brandon continued composing for films, television and albums in a wide range of styles. Composition projects include such large-scale feature films as A Quiet Place, Logan, The Wolverine, and World War Z. In addition, he has composed for several independent features including The Woman In Black, Warm Bodies, and The Giver.

Brandon’s music can be found in acclaimed television shows as well including Battlestar Galactica, Terminator: The Sarah Connor Chronicles, V, and AMC’s Revolutionary War spy drama, TURN: Washington’s Spies.

Most recently, Brandon completed the score to Unbroken: Path To Redemption for Universal Pictures, as well as a co-score with frequent collaborator Marco Beltrami for Fox’s upcoming Kirsten Stewart thriller, Underwater.

Brandon resides in Tarzana, CA and is a dual-citizen of United States and Canada.